![]() If you do need to do the latter, the fact that both of the headphone sockets are treated as separate output pairs is also welcome. To my mind, this is a really good idea, enabling you to get going fast with overdubs without having to open up the mixer utility and route inputs to outputs. Mackie provide a comprehensive monitor-mixing utility, but the two 'super channels' are also furnished with a direct connection to the Monitor output bus, allowing whatever is plugged into them to be auditioned entirely in the analogue domain. The noteworthy thing about the Blackbird is that it does both. As a consequence, most multi‑channel interfaces use software‑controlled, DSP‑powered mixers to handle low‑latency monitoring in the digital domain. This approach has the advantages of simplicity and true zero‑latency operation, but in order for it to make sense on a multi‑channel interface, would mean bolting on an entire analogue mixer. Small interfaces, such as the original Digidesign M Box from a decade ago, often provide the option of routing inputs directly to outputs in the analogue domain. Coaxial S/PDIF connections are also absent, as is any form of MIDI I/O.Īnother noteworthy feature is the way in which the Blackbird handles low‑latency monitoring. Also unusual is the fact that the Blackbird's optical sockets can't be switched to accept S/PDIF signals. Unlike many of its rivals in this price bracket, the Blackbird features two pairs of ADAT optical sockets however, the second pair is used only to support S/MUX operation at high sample rates, so it's not possible to access more than eight digital input channels. The full range of Blackbird I/O is summarised in the 'Vital Statistics' box, but it's worth noting a couple of distinctive features here. And, like most of its rivals, it's also expandable, courtesy of ADAT optical I/O and the ability to 'stack' multiple Blackbirds on one system. It follows the popular template of providing eight analogue inputs with mic preamps, including a pair of 'super channels' that have insert points, separately switched phantom power, and can serve as DIs for electric guitars and the like. ![]() The latest addition to Mackie's popular Onyx range of mixers and computer audio interfaces is a 1U, rackmounting, Firewire‑based unit designed to compete head‑on with the likes of Focusrite's Saffire Pro 40, M‑Audio's Profire 2626, Presonus's Firestudio 2626 and Echo's Audiofire Pre 8. Mackie have bundled eight of their popular Onyx preamps into a 1U rackmount audio interface.
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